From story to story or novel to novel the shapeless, nameless thing that I try to describe will always be there in part somehow, but getting it wrong is part of the deal. And the compensation for getting it wrong is that you get to go work on something else and try again.
The Paris Review let me interview Chris Adrian, a favorite since The Children’s Hospital blew the top of my head off. He reads here tonight at 7—you can ask him whatever questions I missed. (via mcnallyjackson)
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